Dream Big // Friends

(This photo cracks me up. Everyone but Anthony is making a weird face.)

I just had dinner with Chris Clappe and Jacob Ruff last night, our usual friday night dinner. Whilst eating away and saying weird things, according to Jacob I said, “I like back to back babies.” I have NO IDEA whether I said that or what it is in reference to, but that is beside the point. We got to talking about my SKYLMT part, and how I was slightly disappointed with the overall reaction to it from the majority of the comments about it. Chris brought up a super great point though, while the reaction may not have been what I was looking for, the video reached a much, much larger audience than most fixed gear videos do. It was reaching outside of the small circle of fixed freestyle fanatics, many that I know by name, and to people who ride bmx, track bikes, mtb, or other aspects of cycling that may not understand what makes fixed freestyle unique or hard. Especially with the similarity of the tricks I have been doing to current bmx edits, the video may not read as a good fixed gear edit, but more a lackluster bmx edit.

Tyler Johnson from SKYLMT™ on Vimeo.

After sitting down and mulling this over, I came across this post on The Come Up’s Chicken and Rice where Adam talks about view numbers of most pro BMX edits, the time that these views are acquired, and the ratings of views similar to records.

Then how did this get 100,000 views in 2 and a half weeks? I know for a fact that the average BMXer now considers street his favorite type of riding; our recent demographic survey says that 72% of TCU’s readers (or at least the 1700 or so who were willing to fill out a survey for me) consider street their favorite form of riding; hilariously/amusingly/weirdly/unfortunately, Vital’s media kit says that 77% of their reader’s agree. But when 2 riders who are virtually unknown can go platinum (100,000 views is platinum, 50,000 is gold, a million is diamond just like in the record business) off of a 3 and a half minute skatepark session, what does that say? Top street edits from big name street pro’s like Brad Simms and Nathan Williams don’t even get those kind of numbers. A fairly popular edit (something like the OSS trailer, the Tony Neyer exclusive or Miles Rogoish) will usually settle in around 20,000 views after a couple months. Unknown riders first getting posted on TCU/Ride/Vital will often get somewhere around 5000. So t 100,000 in 2 weeks from a couple of Scottish kids riding an indoor park is really remarkable. That’s as many as the Fiend promo, which if you ask me (or anyone really) was the most popular street edit of last year amongst those who “get” BMX and it’s been out for 5 months.

That really put things into perspective for me.  Although, fixed gear freestyle is NOT bmx, most of us watch all the new bmx edits as well.  So I mean if my edit, filmed over a month in winter, was able to accumulate 21K views in a month, that is AMAZING not lackluster. I think this may have been a case of me dreaming to big, and who can blame me? I busted my ass, literally, filming for this video part, my friends dedicated hours and hours of time going out with me to film it, and in the end it was all worth it.

I hope this post doesn’t sound to weird or self centered, but maybe you will find it interesting to see how my thought process works sometimes. I think we all know the feeling were you work really hard on something, but don’t get the response or reaction you thought you would. I still would like to say THANK YOU to every blog who posted it and helped promote SKYLMT . We are going to have big things dropping soon!

It’s the weekend, go out, ride your bike, have fun, and dream as big as you can.

Roey in Israel

I have been waiting to see this edit for quite some time, and it does not disappoint. Rich’s filming is always spot on, and there are some really bonkers lines in here. Check it out:

ROEY IN ISRAEL from Mutiny Bikes on Vimeo.

Dakota Roche x Cinema

Beating Adam22 to a BMX post will be the highlight of my day.

Dak’s hops are redonkulous.

UNITED X DOWN TIME


Here is United’s web video, Down Time. Filmed after the release of This is United. Corey Martinez, Nathan Williams, and Christian Rigal destroy everything in sight.

Afray Mixtape


I saw this on the Demolition blog. Really awesome mix of guys, throwing down amazing tricks. I am going to try my best to head to Sydney, Australia in February.

Andrew Jackson – Anytime Now


And BOOM, I am inspired. I had never heard of Andrew Jackson, but after this wow. One of my favorites.

Garrett Reynold x Cinema x Fiend

This is absolutely bonkers… Seen at FiendBMX.

Nike Pool by Defgrip


So I was scrolling through all the websites, that I think have a nice simple layout. Getting a feel for what I want bloggingmiles.com to eventually have. Of course that means, I stopped by Defgrip.net to check out, in more detail then normal, the site. I was going through his links, and came across this gem of a video. Wonderful editing/filming of the Nike Pool jam that took place. Garrison is right the colors of the ramps really do add nicely to the feel of the video. I love the song choice too, pretty cheeky.  

Subrosa- Simone Barraco


Simone Baracco is probably my favorite rider at the moment. I love the tech-ness of his style. This is a day at a park called the vault, great stuff. 

Josh Bedford – Mutiny

This photo of Josh Bedford for Mutiny Bikes is the epitome of BMX for me. There are so many sick details in it that just allow me to stare and stare and stare. His bike set up is really nice: Raw, black, and chrome are guaranteed to look good for all time. He’s rocking a top load stem and pegless, but I also like the amount of seat post he shows. Its weird details like that, the angle of peoples bars, sticker placement, and personal style that really make photos stand out to me. Finally, a good tucked bunny hop never goes out of style.